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20-ene-2014 - An ongoing weblog published by the curators of the 2013 Carnegie International Joachim Koester’s interest in tarantism is tied to its original sense: a dance of uncontrolled and compulsive movements, spasms and convulsions. In Tarantism he has utilized this idea to generate the movements of dancers, who explore, in six individually choreographed parts, what might be called the body’s terra incognita. Joachim Koester, Tarantism, 2007, Courtesy the artist and Jan Mot, Brussels One winter’s night in early 1842, Joseph Mallard William Turner strapped himself to the mast of a steamship in the midst of a storm in order to experience nature in all its sublime majesty. Joachim Koester, Tarantism, 2008, 16,, black-and-white film loop. Danish-born, New York-based Joachim Koester works primarily in film, photography, and installation, though these visual forms often act as a supplement to his written texts: the product of intense, subjective research into various obscure histories.
Fig. 10 .10Joachim Koester, Tarantism, 2007, 16 mm black-and-white film installation. (Courtesy Joachim Koester, Galleri Nicolai Wallner.) 57. Tarantism , 2007 by Joachim Koester 16 mm film installation Joachim Koester Poison Protocols and Other Histories Thursday 6 August - Sunday 25 October 2009 Open Daily 11- 6pm, free Opening Preview: Wednesday 5 August 5 - 7pm In this first UK solo exhibition of Joachim Koester’s works, Stills pays attention to the artist’s exploration of invisible and forgotten histories of transgression. 20-ene-2014 - An ongoing weblog published by the curators of the 2013 Carnegie International Joachim Koester’s interest in tarantism is tied to its original sense: a dance of uncontrolled and compulsive movements, spasms and convulsions. In Tarantism he has utilized this idea to generate the movements of dancers, who explore, in six individually choreographed parts, what might be called the body’s terra incognita.
Nov 22.
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Billede til beviling med id: 37468. Type: Video / DVD . Medium: 16 mm sort-hvid film i loop. Year of origin: 2007.
Tarantism, Ian Potter Museum of Art, University of Melbourne
In Tarantism he has utilized this idea to generate the movements of dancers, who explore, in six individually choreographed parts, what might be called the body’s terra incognita. Joachim Koester, Tarantism, 2007, Courtesy the artist and Jan Mot, Brussels One winter’s night in early 1842, Joseph Mallard William Turner strapped himself to the mast of a steamship in the midst of a storm in order to experience nature in all its sublime majesty. Joachim Koester, Tarantism, 2008, 16,, black-and-white film loop.
Joachim Koester. 16mm film installation, black and white, mute, 6’09”.
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Museum admission is free courtesy Amy & John Phelan.
Tarantism is an extreme, compulsive need to dance, supposedly caused by the bite of a tarantula. 16 mm film installationmade with G9 camera in mexico city.aug/2010
Tarantism represents a transition in the artist’s work, who brings a story back to life simply through the movement of these completely disarticulate bodies, without referring to images extracted from reality, thus exploring a purely mental territory. Available for sale from Galleri Nicolai Wallner, Joachim Koester, Tarantism (2007), 16mm film, 06:31
Denmark and New York-based artist Joachim Koester (AIR ’13) presents Tarantism, a film installation in which performers enact the “dancing cure”—an Italian folk method of curing a tarantula bite. Tarantism explores the language of the human body and the boundaries of rationality.
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Rapport nr. 3+4 2010-straight.indd - Norske Grafikere - Yumpu
For audiences, the film installation offers a mesmerizing visual and aural experience. We are proud to present Tarantism for the first time in Australia. Joachim Koester.